In this entertaining, literary, and subversive memoir, seventy-year-old writer Joshua Gidding grapples with the social and cultural changes in twenty-first-century America. In the process of re-evaluating his privileged background, the author explores his relationships with some of the people of color in his life, and begins to address the white guilt and complex feelings arising from an uneasy racial conscience. Leaning politically to the left of center, he nevertheless takes a nuanced approach to some of the most topical, timely issues of our age. Balancing themes of racism, entitlement, exceptionalism, bereavement, and biography, his approach throughout remains humorous and self-deprecating. The events and reflections in Old White Man Writing are conveyed through two unforgettable characters: the author himself, who is the unreliable narrator of his own story, and a fictional alter-ego named Joßche, a German literary biographer with a titanium membrane in his skull—the result of a childhood bicycle accident. Joßche’s commentary, frequently interspersed throughout the story, keeps Josh honest (or at least tries to), giving way at the end to rather surprising results. Ultimately, the reader and both Joshes face a challenging question, whose roots run deep through our contemporary culture: In an age of increasing diversity, who gets to have a biography, who doesn’t, and why?